1 00:00:20,070 --> 00:00:22,040 HEY, HOW DID YOUR MEETING GO? 2 00:00:22,070 --> 00:00:23,540 IT'S OVER, DONNA. 3 00:00:23,570 --> 00:00:25,530 MARIE AND I FINALLY SIGNED OFF 4 00:00:25,570 --> 00:00:27,870 ON A MONEY SETTLEMENT AND A CUSTODY ARRANGEMENT. 5 00:00:27,910 --> 00:00:30,480 I FEEL LIKE A THOUSAND‐POUND WEIGHT'S OFF MY BACK. 6 00:00:30,510 --> 00:00:32,480 NOW YOU CAN GET ON WITH YOUR LIFE. 7 00:00:32,510 --> 00:00:36,470 THAT'S HOW I FEEL, LIKE I CAN FINALLY TURN A PAGE. 8 00:00:36,510 --> 00:00:38,510 YOU LOOK GREAT TODAY. 9 00:00:38,550 --> 00:00:42,160 THANKS. SO DO YOU. 10 00:00:42,180 --> 00:00:43,480 [INHALES] 11 00:00:43,520 --> 00:00:45,490 AND THAT PERFUME YOU'RE WEARING, 12 00:00:45,520 --> 00:00:46,990 DRIVES ME WILD. 13 00:00:47,020 --> 00:00:48,850 GREGORY... 14 00:00:48,890 --> 00:00:50,490 REMEMBER WHERE WE ARE. 15 00:00:50,520 --> 00:00:51,990 I CAN'T HELP IT. 16 00:00:52,020 --> 00:00:54,490 WHENEVER I'M AROUND YOU, 17 00:00:54,520 --> 00:00:56,960 I JUST... I JUST WANT TO‐‐ 18 00:01:08,000 --> 00:01:09,130 EXCUSE ME. 19 00:01:11,970 --> 00:01:13,270 OH. 20 00:01:13,300 --> 00:01:15,100 CAN YOU SIGN THIS FOR ME? 21 00:01:25,580 --> 00:01:27,510 MORNING, DETECTIVE. 22 00:01:28,580 --> 00:01:29,550 COUNSELOR. 23 00:01:29,580 --> 00:01:31,050 ON THE ANDRETTI STABBINGS, 24 00:01:31,080 --> 00:01:34,510 HIS LAWYER'S ALL OVER ME FOR YOUR PAPERWORK. 25 00:01:34,550 --> 00:01:36,920 YEAH, ALL RIGHT, WELL...HERE. 26 00:01:36,950 --> 00:01:40,020 TELL HIM THIS IS EVERY PIECE OF PAPER I GOT, 27 00:01:40,060 --> 00:01:42,530 EXCEPT I'M STILL TRYING TO FIND THOSE TWO KLEENEXES 28 00:01:42,560 --> 00:01:44,830 I SNEEZED IN AT THE CRIME SCENE. 29 00:01:44,860 --> 00:01:45,860 THANKS. 30 00:01:47,560 --> 00:01:49,530 UH, AHEM, COUNSELOR. 31 00:01:51,500 --> 00:01:54,040 IN TERMS OF OUR CONVERSATION THE OTHER NIGHT, 32 00:01:54,070 --> 00:01:56,540 I DON'T WANT YOU FEELING PRESSURED WITH THAT. 33 00:01:56,570 --> 00:01:57,540 I DON'T. 34 00:01:57,570 --> 00:01:59,540 MY POINT IS IT'S NOT IMMINENT. 35 00:01:59,570 --> 00:02:01,000 IT DOESN'T HAVE TO BE. 36 00:02:01,040 --> 00:02:04,610 COULD BE WAY, WAY DOWN THE ROAD, YOU KNOW, 37 00:02:04,640 --> 00:02:07,370 IF YOU WANTED THAT AT ALL. 38 00:02:07,410 --> 00:02:09,620 THE NICEST THING THAT'S EVER HAPPENED TO ME 39 00:02:09,640 --> 00:02:12,040 IS YOU ASKING ME TO BE YOUR WIFE. 40 00:02:13,750 --> 00:02:16,120 I JUST WANT TO SETTLE INTO IT 41 00:02:16,150 --> 00:02:18,090 BEFORE WE MAKE ANY DECISIONS. 42 00:02:18,120 --> 00:02:20,490 WELL, THAT'S SMART. THAT'S GOOD. 43 00:02:20,520 --> 00:02:21,620 ANDY. 44 00:02:21,650 --> 00:02:23,420 GOOD MORNING. 45 00:02:23,450 --> 00:02:25,050 HI, SYLVIA. 46 00:02:25,090 --> 00:02:26,560 UM, THERESA CARLIN... 47 00:02:26,590 --> 00:02:30,100 DOMESTIC ABUSE. YEAH, I TOOK HER 61. 48 00:02:30,120 --> 00:02:33,060 SHE'S A HOMICIDE. NEIGHBOR FOUND HER BODY IN HER APARTMENT. 49 00:02:33,090 --> 00:02:34,390 SON OF A BITCH. 50 00:02:34,430 --> 00:02:36,430 MEDAVOY, MARTINEZ, WE GOT A HOMICIDE. 51 00:02:36,460 --> 00:02:39,560 I KNEW IT. THAT SON OF A BITCH. 52 00:02:39,600 --> 00:02:41,410 DETECTIVE ADRIANNE LESNIAK. 53 00:02:41,430 --> 00:02:43,230 I'M SUPPOSED TO REPORT TO LIEUTENANT FANCY. 54 00:02:43,270 --> 00:02:45,670 I THINK HE'S BUSY JUST FOR THE SECOND. 55 00:02:45,700 --> 00:02:47,330 NO PROBLEM. 56 00:02:47,370 --> 00:02:49,500 THAT SON OF A BITCH KILLED HER. 57 00:02:49,540 --> 00:02:50,510 EXCUSE US. 58 00:02:50,540 --> 00:02:51,510 NO PROBLEM. 59 00:04:05,760 --> 00:04:08,400 THE LOWER EAST SIDE'S GOING TO BE A CHANGE 60 00:04:08,420 --> 00:04:09,890 FROM THE 27. 61 00:04:09,930 --> 00:04:11,400 I GREW UP IN BAYRIDGE. 62 00:04:11,430 --> 00:04:13,740 I DID MY TIME IN UNIFORM IN BED‐STUY. 63 00:04:13,760 --> 00:04:16,990 I'M COMFORTABLE AMONG THE GREAT UNWASHED. 64 00:04:17,030 --> 00:04:20,400 LIEUTENANT, ON THE REASON I WAS TRANSFERRED‐‐ 65 00:04:20,430 --> 00:04:21,900 THAT'S NOT MY CONCERN 66 00:04:21,930 --> 00:04:24,400 UNLESS IT INTERFERES WITH YOUR WORK FOR ME. 67 00:04:24,440 --> 00:04:26,910 IT WON'T. THAT RELATIONSHIP IS FINISHED. 68 00:04:26,940 --> 00:04:28,880 [TELEPHONE BUZZES] 69 00:04:30,270 --> 00:04:31,200 YEAH. 70 00:04:32,440 --> 00:04:33,710 YEAH, O. K. 71 00:04:35,440 --> 00:04:37,480 WE GOT ANOTHER HOMICIDE. 72 00:04:39,210 --> 00:04:40,980 EXCUSE ME A SECOND. 73 00:04:43,020 --> 00:04:43,990 THANKS. 74 00:04:45,450 --> 00:04:46,410 HEY, JOHN. 75 00:04:46,450 --> 00:04:47,450 SORRY, LIEUTENANT. 76 00:04:47,490 --> 00:04:49,590 I TOOK JANICE TO THE PROBATION HEARING. 77 00:04:49,620 --> 00:04:51,090 THAT DOMESTIC VIOLENCE VICTIM 78 00:04:51,120 --> 00:04:53,420 ANDY WORKED A COUPLE OF WEEKS AGO 79 00:04:53,460 --> 00:04:54,930 SHOWED UP A HOMICIDE. 80 00:04:54,960 --> 00:04:56,130 MRS. CARLIN. 81 00:04:56,160 --> 00:04:58,930 AND WE JUST HAD ANOTHER HOMICIDE IN CHINATOWN. 82 00:04:58,960 --> 00:05:00,020 MM‐HMM. 83 00:05:00,060 --> 00:05:02,430 THAT'S THE NEW TRANSFER‐‐LESNIAK. 84 00:05:02,460 --> 00:05:03,590 RIGHT. 85 00:05:03,630 --> 00:05:06,000 O.K., I'LL WORK THE CHINATOWN WITH HER THEN. 86 00:05:06,030 --> 00:05:08,660 LIEUTENANT, YOU BETTER TAKE THIS. 87 00:05:08,700 --> 00:05:10,300 HE'LL BE RIGHT HERE. 88 00:05:11,540 --> 00:05:12,810 FANCY. 89 00:05:14,800 --> 00:05:18,100 YEAH. O. K. 90 00:05:18,140 --> 00:05:21,070 THAT SHOOTING IN CHINATOWN... 91 00:05:21,110 --> 00:05:22,870 AN OFF‐DUTY COP. 92 00:05:25,710 --> 00:05:29,440 I'M GOING TO ASK YOU TO WORK WITH DETECTIVE SIPOWICZ. 93 00:05:29,480 --> 00:05:31,950 OUR P. A. A. WILL GIVE YOU THE ADDRESS. 94 00:05:31,980 --> 00:05:33,450 ADRIANNE LESNIAK, JOHN KELLY. 95 00:05:33,480 --> 00:05:35,180 HOW DO YOU DO? HI. 96 00:05:35,220 --> 00:05:37,450 DONNA, GIVE DETECTIVE LESNIAK THE ADDRESS 97 00:05:37,490 --> 00:05:39,460 ON ANDY'S HOMICIDE, 98 00:05:39,490 --> 00:05:41,960 AND HAVE MEDAVOY AND MARTINEZ 10‐1 THE SQUAD 99 00:05:41,990 --> 00:05:43,950 AND MOVE OVER TO THE CHINATOWN SHOOTING. 100 00:05:43,990 --> 00:05:44,920 ALL RIGHT. 101 00:06:02,670 --> 00:06:04,100 WHO IS HE? 102 00:06:04,140 --> 00:06:06,070 PAUL VAN POOL, CENTRAL PARK PRECINCT. 103 00:06:06,110 --> 00:06:08,080 HE INTERRUPTED A BURGLARY IN PROGRESS, 104 00:06:08,110 --> 00:06:09,580 HAD HIS SHIELD OUT. 105 00:06:09,610 --> 00:06:11,570 WE GOT A DESCRIPTION OF A MALE ASIAN 106 00:06:11,610 --> 00:06:13,580 FROM A WITNESS WHO TRIED TO STOP THE SHOOTER. 107 00:06:13,610 --> 00:06:15,540 GUY SLIPPED OUT OF HIS JACKET 108 00:06:15,580 --> 00:06:17,210 AND TOOK OFF TOWARDS CANAL STREET. 109 00:06:17,250 --> 00:06:18,720 IS THAT THE WITNESS? 110 00:06:18,750 --> 00:06:19,710 YEAH. 111 00:06:19,750 --> 00:06:21,410 TAKE HIM TO THE STATION HOUSE, 112 00:06:21,450 --> 00:06:22,980 SEE WHAT YOU CAN GET. 113 00:06:23,020 --> 00:06:24,960 ALSO, INVENTORY THE CONTENTS OF THE JACKET. 114 00:06:26,020 --> 00:06:27,480 AND MOVE THAT LINE BACK. 115 00:06:27,520 --> 00:06:29,490 GET THOSE PEOPLE OUT OF HERE. 116 00:06:29,520 --> 00:06:31,990 WE'RE GOING TO NEED A CHINESE COP. 117 00:06:32,020 --> 00:06:34,490 I'LL GET HAROLD NG FROM THE ROBBERY SQUAD. 118 00:06:34,530 --> 00:06:37,500 HAS ANYONE CONTACTED THE CHAPLAIN'S UNIT 119 00:06:37,530 --> 00:06:39,000 ON NOTIFICATION OF KIN? 120 00:06:39,030 --> 00:06:40,530 NOT YET. 121 00:06:40,560 --> 00:06:41,960 LET ME GO DO THAT. 122 00:06:52,000 --> 00:06:53,400 IS THERE ANYTHING ELSE? 123 00:06:53,440 --> 00:06:54,970 THE GUY HIT HER ALL THE TIME. 124 00:06:55,010 --> 00:06:57,020 I HEARD HER SCREAMING ON CHRISTMAS EVE, FOR GOD'S SAKE. 125 00:06:57,040 --> 00:06:59,010 IN TERMS OF LAST NIGHT AND THIS MORNING, 126 00:06:59,040 --> 00:07:00,570 YOU DIDN'T ACTUALLY HEAR ANYTHING. 127 00:07:00,610 --> 00:07:01,580 NO. 128 00:07:01,610 --> 00:07:03,580 THANKS. YOU'VE BEEN VERY HELPFUL. 129 00:07:03,610 --> 00:07:05,080 DETECTIVE MARTINEZ? 130 00:07:05,110 --> 00:07:07,080 ADRIANNE LESNIAK. I'M YOUR RELIEF. 131 00:07:07,120 --> 00:07:08,090 WELCOME ABOARD. 132 00:07:08,120 --> 00:07:10,190 DETECTIVE MEDAVOY ALREADY LEFT. 133 00:07:10,220 --> 00:07:12,590 LET ME INTRODUCE YOU TO DETECTIVE SIPOWICZ. 134 00:07:12,620 --> 00:07:16,090 GET PICTURES OF THE GLASS ON THE FLOOR AROUND THAT WINDOW 135 00:07:16,120 --> 00:07:18,590 AND THAT BOGUS RANSACK OF THE DRESSER. 136 00:07:18,620 --> 00:07:20,090 ANDY, THIS IS DETECTIVE LESNIAK. 137 00:07:20,120 --> 00:07:23,720 FANCY WANTS ME ON THE CANVAS AT THAT CHINATOWN SHOOTING. 138 00:07:23,760 --> 00:07:26,530 THE NEIGHBOR SAYS MR. CARLIN CALLED HER FROM WORK 139 00:07:26,560 --> 00:07:29,530 AND ASKED HER TO PUT A NOTE ON THE REFRIGERATOR 140 00:07:29,560 --> 00:07:31,530 THAT HE WAS GOING TO BE WORKING LATE. 141 00:07:31,570 --> 00:07:33,540 SO HE COULD ESTABLISH HIS ALIBI. 142 00:07:33,570 --> 00:07:35,440 CARLIN SAID HE'D BEEN CALLING HIS WIFE, 143 00:07:35,470 --> 00:07:36,810 BUT THERE WAS NO ANSWER. 144 00:07:36,840 --> 00:07:38,810 THE NEIGHBOR HAD A KEY. SHE LET HERSELF IN. 145 00:07:38,840 --> 00:07:40,310 SHE FOUND THE BODY. 146 00:07:40,340 --> 00:07:42,300 YOU BETTER GET OVER TO CHINATOWN. 147 00:07:42,340 --> 00:07:43,740 NICE MEETING YOU. 148 00:07:43,770 --> 00:07:45,070 SAME HERE. 149 00:07:45,110 --> 00:07:47,540 SO I UNDERSTAND YOU TOOK A DOMESTIC VIOLENCE COMPLAINT 150 00:07:47,580 --> 00:07:48,920 ON THIS VICTIM. 151 00:07:48,940 --> 00:07:50,080 YEAH. 152 00:07:53,080 --> 00:07:55,880 SEE, NOT ALL THAT DAMAGE IS RECENT. 153 00:07:55,920 --> 00:07:57,390 HER JAW IS HALF OFF 154 00:07:57,420 --> 00:07:59,390 'CAUSE IT'S BROKEN ON BOTH SIDES. 155 00:07:59,420 --> 00:08:01,450 THAT'S FROM ABOUT A MONTH AGO. 156 00:08:01,490 --> 00:08:04,530 EYES ARE SWOLLEN SHUT. SEE THAT CHIPPED TOOTH? THAT'S OLD. 157 00:08:04,560 --> 00:08:06,130 HER HUSBAND GAVE HER THAT 158 00:08:06,160 --> 00:08:09,100 AFTER HE LOST HIS SUPER BOWL BET LAST YEAR. 159 00:08:11,160 --> 00:08:13,630 HE REALLY BEAT YOU TO A PULP THIS TIME, 160 00:08:13,660 --> 00:08:15,090 DIDN'T HE, THERESA? 161 00:08:21,670 --> 00:08:23,580 YOU FINISH TAKING STATEMENTS AROUND HERE, 162 00:08:23,600 --> 00:08:25,070 AND THEN CANVASS THE BLOCK. 163 00:08:25,100 --> 00:08:26,400 GET TO EVERYBODY, YOU UNDERSTAND? 164 00:08:26,440 --> 00:08:27,850 WHERE ARE YOU GOING? 165 00:08:27,870 --> 00:08:29,840 I'M GOING TO PICK UP THE HUSBAND, 166 00:08:29,870 --> 00:08:31,840 UNLESS YOU GOT A PROBLEM WITH THAT. 167 00:08:31,870 --> 00:08:32,840 I DON'T. 168 00:08:32,870 --> 00:08:34,840 DON'T YOU WORRY WHERE I'M GOING. 169 00:08:34,880 --> 00:08:36,850 JUST WORRY ABOUT WHAT YOU GOT TO DO. 170 00:08:36,880 --> 00:08:38,350 ARE YOU GETTING MY DRIFT? 171 00:08:38,380 --> 00:08:39,340 YES. 172 00:08:43,780 --> 00:08:46,050 ALL RIGHT, YEAH, I'LL HOLD. ALL RIGHT. 173 00:08:47,320 --> 00:08:49,590 [MEDAVOY] DONNA, COULD YOU GET ME A PENCIL? 174 00:08:49,620 --> 00:08:50,580 SURE. 175 00:08:50,620 --> 00:08:52,290 YOU DONE WITH THOSE NOTIFICATIONS? 176 00:08:52,320 --> 00:08:53,790 YEAH. WHERE ARE YOU? 177 00:08:53,820 --> 00:08:56,290 GOT A SKETCH ARTIST IN THERE WITH THE WITNESS, 178 00:08:56,320 --> 00:08:58,790 BUT HE DIDN'T GET A GOOD LOOK AT HIM. 179 00:08:58,830 --> 00:09:00,300 CONTENTS OF THE JACKET? 180 00:09:00,330 --> 00:09:02,370 HOUSE KEY, MEDAVOY'S MAKING A COPY, 181 00:09:02,400 --> 00:09:04,370 GOT A PHONE NUMBER ON THIS GUY SHEN, 182 00:09:04,400 --> 00:09:06,170 AND A LOTTERY TICKET. 183 00:09:06,200 --> 00:09:08,840 JAMES IS ON THE PHONE WITH THE COMMISSION NOW. 184 00:09:08,870 --> 00:09:11,680 WE'RE GETTING A LOT OF CALLS FROM OFF‐DUTY COPS 185 00:09:11,700 --> 00:09:13,170 FROM THE CENTRAL PARK PRECINCT, 186 00:09:13,200 --> 00:09:15,170 VOLUNTEERING TO HELP WITH THE INVESTIGATION. 187 00:09:15,200 --> 00:09:18,070 TAKE THEIR NAMES. TELL THEM WE'LL CONTACT THEM 188 00:09:18,110 --> 00:09:19,580 IF WE NEED THEM. 189 00:09:19,610 --> 00:09:21,050 HEY, JOHNNY, HOW ARE YOU? 190 00:09:21,080 --> 00:09:22,220 HEY, HAROLD. 191 00:09:22,240 --> 00:09:25,170 WHEN I FIRST HEAR A CHINESE GUY SHOOT A COP, 192 00:09:25,210 --> 00:09:27,180 I SAY, "YOU KIDDING ME?" 193 00:09:27,210 --> 00:09:29,180 CHINESE AFRAID OF POLICE. MUST BE REAL SCUMBAG. 194 00:09:29,210 --> 00:09:32,180 WE GET HIM, WE KICK HIS ASS, EH, JOHNNY? 195 00:09:32,220 --> 00:09:33,690 YEAH, DEFINITELY. DEFINITELY. 196 00:09:33,720 --> 00:09:35,190 THE LOTTERY TICKET WAS BOUGHT 197 00:09:35,220 --> 00:09:37,260 AT THE CHINESE HERB STORE ON MOTT STREET. 198 00:09:37,290 --> 00:09:39,190 JAMES MARTINEZ, HAROLD NG FROM ROBBERY. 199 00:09:39,220 --> 00:09:41,190 NICE TO MEET YOU. YOU NEW HERE? 200 00:09:41,220 --> 00:09:42,190 NO. 201 00:09:42,220 --> 00:09:44,950 I BUST CASES WITH ALL THESE GUYS‐‐ 202 00:09:44,990 --> 00:09:46,460 JOHN, GREG, ANDY SIPOWICZ. 203 00:09:46,490 --> 00:09:48,960 HAROLD AND I ARE GOING TO TALK TO SHEN. 204 00:09:48,990 --> 00:09:51,330 WHEN GREG GETS BACK, GO TO THE HERB STORE. 205 00:09:51,360 --> 00:09:53,290 WE'LL SEE IF ANYONE CAN I. D. THE SKETCH. 206 00:09:53,330 --> 00:09:54,700 HAROLD, YOU KNOW WHAT? 207 00:09:54,730 --> 00:09:57,200 I THINK YOU NEED TO SPEAK A LITTLE SLOWER 208 00:09:57,230 --> 00:10:00,200 SO PEOPLE UNDERSTAND. YOU KNOW WHAT I MEAN? 209 00:10:00,240 --> 00:10:01,710 NO PROBLEM. LET'S DO IT. 210 00:10:01,740 --> 00:10:02,810 YEAH. 211 00:10:10,680 --> 00:10:12,080 CHEF WILL BE RIGHT OUT. 212 00:10:13,180 --> 00:10:15,150 JOHNNY, YOU SEE TOMMY LEW? 213 00:10:15,180 --> 00:10:17,140 THE FAMOUS HEROIN IMPORTER. 214 00:10:17,180 --> 00:10:19,010 HE'S HEAD OF HOP SUNG TONG. 215 00:10:19,050 --> 00:10:21,150 CHEF NOT GOING TO TALK UNTIL TOMMY GIVE O. K. 216 00:10:21,180 --> 00:10:23,250 SO WE NEED HIS PERMISSION TO OUR JOB THEN. 217 00:10:23,280 --> 00:10:25,920 I'LL GO OVER AND EXPLAIN THE SITUATION. 218 00:10:25,950 --> 00:10:27,920 TONG DON'T WANT POLICE TROUBLE. 219 00:10:30,690 --> 00:10:32,190 GO TALK TO HIM. 220 00:10:40,000 --> 00:10:42,540 [SPEAKING CHINESE] 221 00:10:44,930 --> 00:10:47,630 [SPEAKING CHINESE] 222 00:10:49,200 --> 00:10:50,800 SHOW HIM THE NUMBER. 223 00:10:50,840 --> 00:10:52,280 TELL HIM WE KNOW IT'S HIS. 224 00:10:52,300 --> 00:10:55,170 TELL HIM WE FOUND IT IN THE JACKET 225 00:10:55,210 --> 00:10:56,680 AT THE CRIME SCENE. 226 00:10:56,710 --> 00:10:58,180 OTHER CHEFS COME TO ME. 227 00:10:58,210 --> 00:11:00,740 I HELP FIND WORK IN CHINESE RESTAURANTS. 228 00:11:00,780 --> 00:11:03,250 I GIVE THEM MY NUMBER, THEY GIVE ME THEIRS. 229 00:11:03,280 --> 00:11:05,410 YOU REMEMBER WRITING IT ON THAT NEWSPAPER? 230 00:11:05,450 --> 00:11:07,420 THE GUY I WRITE IT FOR 231 00:11:07,450 --> 00:11:08,910 NEVER TELL ME HIS NAME. 232 00:11:08,950 --> 00:11:11,350 YOU STILL HAVE THE NUMBER HE GAVE YOU? 233 00:11:11,380 --> 00:11:12,850 BACK IN THE KITCHEN. 234 00:11:12,890 --> 00:11:15,260 THINK THIS IS GOING TO BE O. K. WITH TOMMY? 235 00:11:15,290 --> 00:11:16,760 HE COOPERATING WITH US. 236 00:11:16,790 --> 00:11:18,120 HE'S A GREAT MAN. 237 00:11:32,730 --> 00:11:35,730 NOBODY AT THE HERB STORE COULD MAKE AN I. D. 238 00:11:35,770 --> 00:11:37,700 DID YOU GET ANYTHING OFF THAT PHONE NUMBER? 239 00:11:37,740 --> 00:11:40,210 TRACED IT TO A PAY PHONE INSIDE. LET'S GO. 240 00:11:40,240 --> 00:11:42,580 HOW ARE THE WIFE AND KIDS? 241 00:11:42,610 --> 00:11:45,050 KIDS ARE FINE. WIFE AND I ARE GETTING DIVORCED. 242 00:11:45,070 --> 00:11:47,010 MY SECOND WIFE CALLED FIRST WIFE, 243 00:11:47,040 --> 00:11:50,210 GOT TOGETHER, TELL MY THIRD WIFE NOT TO MARRY ME. 244 00:11:50,240 --> 00:11:53,240 GOT TO KEEP EX‐WIVES APART, REMEMBER THAT. 245 00:11:54,750 --> 00:11:56,590 [SPEAKING CHINESE] 246 00:11:57,750 --> 00:11:58,680 EXCUSE US. 247 00:12:01,820 --> 00:12:02,780 THAT'S IT. 248 00:12:02,820 --> 00:12:04,790 SHOULD WE START KNOCKING ON DOORS? 249 00:12:04,820 --> 00:12:06,350 YOU HAVE THAT KEY, GREG? 250 00:12:06,390 --> 00:12:08,290 SHOULD WE GET A SEARCH WARRANT? 251 00:12:08,320 --> 00:12:11,290 I DON'T WANT TO WASTE A WHOLE DAY ON ONE 252 00:12:11,330 --> 00:12:12,900 IF THIS AIN'T THE PLACE. 253 00:12:27,770 --> 00:12:30,240 O.K., WHY DON'T YOU GUYS GRAB SOME AIR? 254 00:12:30,270 --> 00:12:31,740 A COP GOT SHOT, JOHN. 255 00:12:31,770 --> 00:12:34,240 NONE OF US IS GOING TO HAVE A PROBLEM 256 00:12:34,270 --> 00:12:35,740 WITH SEEING WHAT'S IN THERE. 257 00:12:35,780 --> 00:12:37,750 YOU DON'T SEE WHAT YOU DON'T HAVE TO. 258 00:12:37,780 --> 00:12:39,990 I'LL BE RIGHT OUTSIDE. GO AHEAD. 259 00:12:40,010 --> 00:12:41,480 ALL RIGHT. BE CAREFUL. 260 00:12:41,510 --> 00:12:43,880 COME ON, GUYS. 261 00:12:43,920 --> 00:12:45,360 [KNOCK KNOCK] 262 00:12:45,380 --> 00:12:46,380 POLICE. 263 00:12:55,090 --> 00:12:56,920 ANYONE HOME? 264 00:13:35,820 --> 00:13:37,460 GET THE WARRANT. 265 00:13:37,490 --> 00:13:40,830 HEY! HEY! YO! HEY! HEY! 266 00:13:40,850 --> 00:13:41,790 STOP! 267 00:13:52,660 --> 00:13:55,430 WHO'S THIS GUY? WHO'S THIS GUY? 268 00:13:57,030 --> 00:13:58,500 DO WE KNOW THIS GUY? 269 00:13:58,530 --> 00:13:59,460 NO. 270 00:14:00,900 --> 00:14:02,630 YOU SPEAK ENGLISH? 271 00:14:02,670 --> 00:14:03,630 [SPEAKING CHINESE] 272 00:14:03,670 --> 00:14:05,570 YOU SPEAK ENGLISH? WHAT'S HE SAYING? 273 00:14:05,610 --> 00:14:07,710 HE DIDN'T DO ANYTHING. 274 00:14:07,740 --> 00:14:09,200 TELL HIM WHO WE ARE. 275 00:14:09,240 --> 00:14:11,570 [SPEAKING CHINESE] 276 00:14:11,610 --> 00:14:13,610 THIS IS ALL HE HAD ON HIM. 277 00:14:14,910 --> 00:14:15,880 GOT HIM? 278 00:14:15,910 --> 00:14:17,010 THESE KEYS MATCH. 279 00:14:18,710 --> 00:14:20,380 THE KEYS MATCH. LET'S GO. 280 00:14:20,420 --> 00:14:23,790 WE'LL TALK ABOUT IT DOWN AT THE STATION. LET'S GO. 281 00:14:29,290 --> 00:14:31,250 HAROLD AND I WILL DO THE INTERVIEW. 282 00:14:31,290 --> 00:14:33,190 YOU GUYS WANT TO GET STARTED ON THAT WARRANT? 283 00:14:33,220 --> 00:14:35,190 YEAH, SURE. 284 00:14:35,230 --> 00:14:37,770 JAMES, YOU WANT TO GET IT STARTED? 285 00:14:37,790 --> 00:14:39,090 YOU GOT IT. 286 00:14:42,300 --> 00:14:44,770 HAS LIEUTENANT FANCY SAID ANYTHING TO YOU? 287 00:14:44,800 --> 00:14:47,260 NO. MAYBE HE'S GOING TO LET IT SLIDE. 288 00:14:47,300 --> 00:14:50,770 YOU KNOW THAT DETECTIVE LESNIAK WHO JUST GOT TRANSFERRED? 289 00:14:50,800 --> 00:14:52,770 YOU KNOW WHY SHE GOT TRANSFERRED? 290 00:14:52,800 --> 00:14:53,770 WHY? 291 00:14:53,810 --> 00:14:55,280 OFFICE ROMANCE. 292 00:14:55,310 --> 00:14:57,980 GREGORY, THIS IS ALL MY FAULT. 293 00:14:58,010 --> 00:15:00,470 IF ANYONE WAS EN FLAGRANTE, IT WAS ME. 294 00:15:00,510 --> 00:15:03,040 I SHOULD HAVE KEPT THIS FROM HAPPENING, 295 00:15:03,080 --> 00:15:05,650 BUT WHAT DID I DO INSTEAD? I TEMPTED YOU. 296 00:15:05,680 --> 00:15:09,350 LOOK, WHATEVER HAPPENS... 297 00:15:09,380 --> 00:15:11,850 WE'RE IN THIS TOGETHER. 298 00:15:11,880 --> 00:15:14,850 I JUST CAN'T IMAGINE COMING TO WORK EVERY DAY 299 00:15:14,890 --> 00:15:16,860 AND NOT SEEING YOU. 300 00:15:16,890 --> 00:15:18,260 HEY, DETECTIVE. 301 00:15:24,330 --> 00:15:26,800 I KNOW WHAT YOU GOT TO BE THINKING. 302 00:15:26,830 --> 00:15:28,790 YOU BUSTED ME FOR BEATING THERESA. 303 00:15:28,830 --> 00:15:31,790 YOU GOT TO BE THINKING THAT I KILLED HER. 304 00:15:31,830 --> 00:15:34,800 I'M NOT GOING TO LIE TO YOU, VICTOR. 305 00:15:34,830 --> 00:15:36,300 I GOT A SITUATION HERE 306 00:15:36,330 --> 00:15:39,300 WHERE THERE'S A HISTORY OF DOMESTIC VIOLENCE. 307 00:15:39,340 --> 00:15:40,810 NOW THE WIFE'S DEAD. 308 00:15:40,840 --> 00:15:44,000 I GOT TO CONSIDER YOU A SUSPECT. 309 00:15:44,040 --> 00:15:46,000 I KNOW WHAT IT LOOKS LIKE, 310 00:15:46,040 --> 00:15:47,570 BUT I DIDN'T KILL THERESA. 311 00:15:47,610 --> 00:15:50,140 THE DAY WE HAD OUR TALK AT THAT COURTHOUSE, 312 00:15:50,180 --> 00:15:52,150 I THOUGHT I GOT THROUGH TO YOU. 313 00:15:52,180 --> 00:15:53,640 WITH GOD AS MY WITNESS, 314 00:15:53,680 --> 00:15:56,650 I NEVER LAID A HAND ON HER AFTER THAT. 315 00:15:56,680 --> 00:15:59,310 YOU GAVE ME A WAKE‐UP CALL, DETECTIVE. 316 00:15:59,350 --> 00:16:03,380 YOU KNOW, I WAS MARRIED MYSELF ONCE. 317 00:16:03,420 --> 00:16:05,390 I KNOW WHAT IT'S LIKE. 318 00:16:05,420 --> 00:16:07,350 YOU GET FRUSTRATED, 319 00:16:07,390 --> 00:16:11,390 AND SOMETIMES YOU DO THINGS THAT AFTERWARDS YOU REGRET, 320 00:16:11,430 --> 00:16:13,900 BUT THAT'S A LONG WAY 321 00:16:13,930 --> 00:16:16,870 FROM BEATING SOMEBODY TO DEATH. 322 00:16:16,900 --> 00:16:20,840 I SWEAR TO GOD I DIDN'T KILL HER. 323 00:16:20,870 --> 00:16:22,870 I LOVED HER. 324 00:16:22,900 --> 00:16:26,700 AND WE GOT THIS APPARENT BREAK‐IN AT YOUR PLACE. 325 00:16:26,740 --> 00:16:28,710 USED TO BE A NICE STREET. 326 00:16:28,740 --> 00:16:32,280 NOW YOU GOT AFRICANS, JUNKIES. 327 00:16:32,310 --> 00:16:35,280 I'VE BEEN WORRIED ABOUT SOMETHING LIKE THIS 328 00:16:35,310 --> 00:16:36,770 FOR A LONG TIME. 329 00:16:36,810 --> 00:16:38,270 YOU SEE ANYBODY SUSPICIOUS 330 00:16:38,310 --> 00:16:41,340 WHEN YOU LEFT YOUR APARTMENT THIS MORNING? 331 00:16:41,380 --> 00:16:44,350 ACTUALLY, I DID. 332 00:16:44,380 --> 00:16:47,350 I SEEN THESE TWO BROTHERS HANGING AROUND 333 00:16:47,380 --> 00:16:50,350 ACROSS THE STREET AT THE LIQUOR STORE. 334 00:16:50,390 --> 00:16:52,360 CAN YOU GIVE ME THEIR DESCRIPTION? 335 00:16:52,390 --> 00:16:55,300 BLACK AS THE INSIDE OF YOUR HAT. 336 00:16:55,320 --> 00:16:57,850 ANYTHING ELSE ABOUT THEM YOU REMEMBER? 337 00:16:57,890 --> 00:16:59,520 I DON'T KNOW. 338 00:16:59,560 --> 00:17:02,920 MAYBE I COULD LOOK AT SOME PICTURES. 339 00:17:02,960 --> 00:17:04,930 HOW ARE YOU DOING FOR TIME? 340 00:17:04,960 --> 00:17:08,600 YOU PROBABLY GOT A LOT OF ARRANGEMENTS TO TAKE CARE OF. 341 00:17:08,630 --> 00:17:12,430 OH, NO, DETECTIVE. I OWE IT TO THERESA 342 00:17:12,470 --> 00:17:14,340 TO DO WHATEVER I CAN 343 00:17:14,370 --> 00:17:16,330 TO HELP FIND WHOEVER DID THIS. 344 00:17:20,140 --> 00:17:23,110 I CALLED THE M.E. TO EXPEDITE THE AUTOPSY 345 00:17:23,140 --> 00:17:24,610 SO YOUR WIFE'S REMAINS 346 00:17:24,640 --> 00:17:27,540 CAN BE RETURNED TO YOU AS SOON AS POSSIBLE. 347 00:17:27,580 --> 00:17:29,050 OH, I APPRECIATE THAT. 348 00:17:29,080 --> 00:17:31,510 LET ME SET YOU UP WITH PICTURES. 349 00:17:39,920 --> 00:17:43,220 ASK HIM WHY HE RAN FROM US THIS MORNING. 350 00:17:43,260 --> 00:17:45,400 [SPEAKING CHINESE] 351 00:17:45,420 --> 00:17:47,620 HE'S ILLEGAL. THOUGHT WE WERE I. N. S. 352 00:17:47,660 --> 00:17:50,120 WHY WAS HE AT THE APARTMENT? 353 00:17:50,160 --> 00:17:51,560 [SPEAKING CHINESE] 354 00:17:51,590 --> 00:17:53,390 [SPEAKING CHINESE] 355 00:17:53,430 --> 00:17:54,990 VISITING A FRIEND. 356 00:17:55,030 --> 00:17:56,760 WHAT'S THE KEY GO TO? 357 00:17:59,930 --> 00:18:01,430 HE DOESN'T KNOW. 358 00:18:01,470 --> 00:18:03,470 ASK HIM IF HE KNOWS ANYTHING 359 00:18:03,500 --> 00:18:06,440 ABOUT THE COP GETTING SHOT IN CHINATOWN THIS MORNING. 360 00:18:20,450 --> 00:18:21,810 NO. 361 00:18:21,850 --> 00:18:25,780 NO? YOU GUYS JUST SPOKE FOR FIVE MINUTES. 362 00:18:25,820 --> 00:18:27,280 WHAT'S GOING ON, HAROLD? 363 00:18:27,320 --> 00:18:31,790 HE WANTED TO KNOW WHY I'M WORKING WITH YOU WHITE GHOSTS. 364 00:18:31,820 --> 00:18:33,890 WHY DON'T YOU JUST BE STRAIGHT WITH ME? 365 00:18:33,920 --> 00:18:35,420 I JUST WAS. 366 00:18:35,460 --> 00:18:38,420 O.K. MAYBE HE WILL CHANGE HIS TUNE 367 00:18:38,460 --> 00:18:41,430 AFTER HE'S PICKED OUT OF A LINEUP. 368 00:18:41,460 --> 00:18:42,890 TELL HIM THAT. 369 00:18:50,970 --> 00:18:52,430 DETECTIVE... 370 00:18:52,470 --> 00:18:55,270 MR. WOO'S LAWYER IS HERE. 371 00:19:01,540 --> 00:19:03,580 DETECTIVE KELLY. 372 00:19:03,610 --> 00:19:05,540 STEPHEN CHENG, DETECTIVE. 373 00:19:05,580 --> 00:19:07,580 HOW DO YOU DO? 374 00:19:07,610 --> 00:19:10,310 I'D LIKE TO SEE MY CLIENT WOO SHU KWAN. 375 00:19:10,350 --> 00:19:13,320 HOW DO YOU KNOW WE HAVE THAT PERSON IN CUSTODY? 376 00:19:13,350 --> 00:19:15,320 FRIENDS OF HIS SAW YOU PICK HIM UP. 377 00:19:15,350 --> 00:19:17,320 WELL, MR. WOO HAS NOT ASKED 378 00:19:17,350 --> 00:19:19,320 FOR THE SERVICES OF AN ATTORNEY YET. 379 00:19:19,360 --> 00:19:20,700 A MEMBER OF HIS FAMILY 380 00:19:20,720 --> 00:19:22,690 HAS ASKED ME TO REPRESENT HIM. 381 00:19:22,720 --> 00:19:24,690 WHO WOULD THAT BE? 382 00:19:24,730 --> 00:19:26,530 MR. WOO'S UNCLE. 383 00:19:26,560 --> 00:19:28,030 I DON'T KNOW WHY YOU'RE HERE, 384 00:19:28,060 --> 00:19:31,030 BUT YOU'RE GOING TO HAVE TO DO BETTER THAN THAT. 385 00:19:31,060 --> 00:19:33,700 JOHN, CAN WE TALK A MINUTE? 386 00:19:34,730 --> 00:19:36,200 SURE. 387 00:19:37,570 --> 00:19:40,040 TONG SEND THE LAWYER TO GET WOO TO CONFESS, 388 00:19:40,070 --> 00:19:41,530 GET IT OVER WITH. 389 00:19:41,570 --> 00:19:43,870 THEY'RE GOING TO GET HIM TO CONFESS. 390 00:19:43,910 --> 00:19:45,210 THEY DO SOMETHING FOR HIM, 391 00:19:45,240 --> 00:19:47,210 MAYBE LIGHTEN UP ON THE MONEY HE OWE, 392 00:19:47,240 --> 00:19:49,710 GIVE MONEY TO THE GUY'S FAMILY BACK IN CHINA. 393 00:19:49,740 --> 00:19:52,940 OR GET HIM TO CONFESS TO PROTECT THE REAL GUY. 394 00:19:52,980 --> 00:19:55,540 WE FOUND THE KEY ON THIS GUY, JOHNNY. 395 00:19:55,580 --> 00:19:57,550 WHO PUT THE KEY ON HIM, HAROLD? 396 00:19:57,580 --> 00:20:01,050 TOMMY LEW IS NOT GOING TO MAKE MY CASE FOR ME. 397 00:20:01,080 --> 00:20:02,120 YOU UNDERSTAND? 398 00:20:03,590 --> 00:20:06,060 YOU KNOW WHAT? I'M GOING TO NEED MORE PROOF 399 00:20:06,090 --> 00:20:07,560 THAT YOU REPRESENT THE FAMILY, 400 00:20:07,590 --> 00:20:09,290 SO BRING THE UNCLE IN. 401 00:20:09,320 --> 00:20:11,320 THANKS FOR YOUR TIME, DETECTIVE. 402 00:20:19,100 --> 00:20:20,540 WHAT DID YOU GET? 403 00:20:20,560 --> 00:20:22,500 NO ONE SAW ANYTHING AT THE BUILDING. 404 00:20:22,530 --> 00:20:24,500 THESE ARE THE NO‐ANSWERS. I'LL RECANVASS TOMORROW. 405 00:20:24,530 --> 00:20:27,200 LET ME HAVE THOSE. THE HUSBAND'S LOOKING AT PHOTOS. 406 00:20:27,240 --> 00:20:29,410 LET ME KNOW IF THE LYING PRICK 407 00:20:29,440 --> 00:20:30,910 COMES UP WITH AN I. D. 408 00:20:30,940 --> 00:20:33,000 ARE YOU GOING TO GET PISSED OFF 409 00:20:33,040 --> 00:20:35,000 IF I ASK YOU WHERE YOU'RE GOING? 410 00:20:35,040 --> 00:20:36,510 BACK TO RECANVASS. 411 00:20:36,540 --> 00:20:37,970 THERE'S A VOTE OF CONFIDENCE. 412 00:20:39,180 --> 00:20:42,250 DETECTIVE LESNIAK, YOU GOT A BUNCH OF CALLS 413 00:20:42,280 --> 00:20:44,250 FROM A DETECTIVE ABRUZZO. 414 00:20:44,280 --> 00:20:47,510 I TRIED TELLING HIM YOU WERE TIED UP WITH A CASE. 415 00:20:47,550 --> 00:20:48,610 THANKS. 416 00:20:52,150 --> 00:20:54,620 HOW'S IT GOING ON YOUR CASE? 417 00:20:54,660 --> 00:20:57,530 DINNER'S GOING TO HAVE TO BE LATE. 418 00:20:57,560 --> 00:21:00,030 LET'S JUST BAG DINNER THEN. 419 00:21:00,060 --> 00:21:03,590 I FEEL BAD ABOUT THIS WOMAN. 420 00:21:03,630 --> 00:21:05,740 YOU DID WHAT YOU COULD. 421 00:21:07,630 --> 00:21:09,400 I GOT TO GO. 422 00:21:11,130 --> 00:21:12,160 HEY. 423 00:21:12,200 --> 00:21:13,170 YEAH. 424 00:21:13,200 --> 00:21:15,500 IF YOU WANT TO TALK, I'LL BE UP LATE. 425 00:21:25,080 --> 00:21:26,050 HEY, JOHN. 426 00:21:26,080 --> 00:21:27,550 THE CHIEF OF DETECTIVES 427 00:21:27,580 --> 00:21:30,540 IS GOING TO MAKE A STATEMENT TO THE PRESS. 428 00:21:30,580 --> 00:21:33,550 HE WANTS TO KNOW IF WE'RE CALLING WOO A SUSPECT. 429 00:21:33,580 --> 00:21:35,550 AS FAR AS THE LINEUPS ARE CONCERNED, 430 00:21:35,580 --> 00:21:37,050 I THINK IT'S A MAYBE. 431 00:21:37,080 --> 00:21:39,550 I'D LIKE TO KEEP HIM OVERNIGHT, GET HIM TIRED, 432 00:21:39,590 --> 00:21:41,560 TAKE A SHOT AT HIM IN THE MORNING. 433 00:21:41,590 --> 00:21:43,330 O.K. ON SHOWING UP LATE‐‐ 434 00:21:43,360 --> 00:21:46,160 IF I COULD MAKE IT UP NOW, THAT'D BE GREAT. 435 00:21:46,190 --> 00:21:48,560 MY POINT IS DON'T HAVE ANDY SIGN YOU IN. 436 00:21:48,590 --> 00:21:51,060 THAT'S THE KIND OF THING HAVERILL'S LOOKING FOR. 437 00:21:51,090 --> 00:21:52,060 YEAH. O. K. 438 00:21:52,100 --> 00:21:53,570 HOW'S HAROLD NG DOING? 439 00:21:53,600 --> 00:21:55,070 HAROLD NG, DOING GREAT. 440 00:21:55,100 --> 00:21:56,710 ALL RIGHT. GOOD NIGHT. 441 00:21:56,730 --> 00:21:57,660 GOOD NIGHT. 442 00:22:07,170 --> 00:22:09,140 HEY, HOW ARE WE DOING? 443 00:22:09,170 --> 00:22:10,640 O.K. HOW'S YOUR CASE? 444 00:22:10,670 --> 00:22:13,240 I THINK WE GOT A DIRECTION. 445 00:22:13,280 --> 00:22:14,780 THE HUSBAND ON MY HOMICIDE 446 00:22:14,810 --> 00:22:16,640 PICKED OUT A COUPLE OF PHOTOS. 447 00:22:16,680 --> 00:22:18,140 HMM. YOU BELIEVE HIM? 448 00:22:18,180 --> 00:22:19,580 NO. ONE'S IN THE JOINT, 449 00:22:19,610 --> 00:22:21,580 THE OTHER ONE I'M GOING TO QUESTION 450 00:22:21,620 --> 00:22:23,320 AT HIS PAROLE OFFICER'S TOMORROW. 451 00:22:23,350 --> 00:22:26,780 WE'RE GOING OUT FOR A BEER. WANT TO COME ALONG? 452 00:22:26,820 --> 00:22:28,120 THANKS. YEAH. 453 00:22:28,150 --> 00:22:29,620 HOW ABOUT YOU, HAROLD? 454 00:22:29,650 --> 00:22:32,550 YOU WANT TO GO OUT FOR A BEER? 455 00:22:34,120 --> 00:22:35,290 YEAH. SURE. 456 00:22:37,630 --> 00:22:39,100 WE'LL TALK LATER. 457 00:22:39,130 --> 00:22:40,070 O.K. 458 00:22:41,630 --> 00:22:43,630 HAROLD, THIS TOMMY LEW THING, 459 00:22:43,660 --> 00:22:47,130 YOU KNOW, I GOT MY BOSSES SQUEEZING MY SHOES, 460 00:22:47,170 --> 00:22:50,110 AND MAYBE I GOT MY BACK UP. 461 00:22:50,140 --> 00:22:51,610 YEAH, JOHNNY. I UNDERSTAND, 462 00:22:51,640 --> 00:22:55,510 BUT NO BOSS OWN ME, TOMMY LEW ESPECIALLY. 463 00:22:55,540 --> 00:22:57,100 UNDERSTAND THAT, TOO, O. K.? 464 00:22:57,140 --> 00:22:59,100 O.K. GIVE ME A MINUTE. 465 00:22:59,140 --> 00:23:00,240 YEAH. 466 00:23:04,710 --> 00:23:06,180 HA HA HA! 467 00:23:06,210 --> 00:23:08,680 HAROLD, TELL HER ABOUT THE POSSUM CASE. 468 00:23:08,710 --> 00:23:09,810 POSSUM CASE? 469 00:23:09,850 --> 00:23:12,180 YEAH. IT'S A GREAT STORY. COME ON, HAROLD. 470 00:23:12,220 --> 00:23:14,630 YOU TELL IT GREAT. COME ON. 471 00:23:14,650 --> 00:23:15,650 GO AHEAD. COME ON. 472 00:23:15,690 --> 00:23:17,390 GO AHEAD. 473 00:23:17,420 --> 00:23:19,120 O.K. ME AND THIS OTHER GUY 474 00:23:19,160 --> 00:23:20,630 WORKING ON A KIDNAPPING. 475 00:23:20,660 --> 00:23:22,630 KIDNAPPER SEND A RANSOM NOTE. 476 00:23:22,660 --> 00:23:24,130 LETTER CUT OUT OF NEWSPAPER, 477 00:23:24,160 --> 00:23:26,620 SPELL OUT, IF YOU EVER WANT TO SEE 478 00:23:26,660 --> 00:23:28,620 WHAT‐HIS‐NAME AGAIN‐‐LIKE OLD MOVIE‐‐ 479 00:23:28,660 --> 00:23:30,690 ANYWAY, WE GOT TO MAKE RANSOM DROP IN WOODS. 480 00:23:30,730 --> 00:23:33,630 WE GOT NOTHING TO PUT THE MONEY IN, ONLY BARBECUE BAG. 481 00:23:33,670 --> 00:23:35,940 THE GUY LOVE BARBECUE. EAT THE RIB ALL DAY. 482 00:23:35,970 --> 00:23:38,580 EVERYBODY FOLLOW ME? 483 00:23:38,600 --> 00:23:40,530 YEAH, WE'RE WITH YOU, HAROLD. 484 00:23:40,570 --> 00:23:42,300 WE'RE WITH YOU. 485 00:23:42,340 --> 00:23:44,110 SO WE PUT MONEY IN BARBECUE BAG, 486 00:23:44,140 --> 00:23:47,200 HIDE THE BAG IN WOODS LIKE KIDNAPPER TELL US. 487 00:23:47,240 --> 00:23:50,710 POSSUM SMELL BARBECUE, EAT THE MONEY, $10,000. 488 00:23:50,740 --> 00:23:52,180 EVERYBODY FOLLOW ME? 489 00:23:52,210 --> 00:23:53,180 YEAH. 490 00:23:53,210 --> 00:23:54,710 HEY. 491 00:23:56,410 --> 00:23:58,250 GUY AT THE STATION HOUSE 492 00:23:58,280 --> 00:24:00,480 SAID YOU MIGHT STILL BE HERE. 493 00:24:00,520 --> 00:24:02,390 HEY, JOHN. 494 00:24:02,420 --> 00:24:03,820 HEY, JIMMY. 495 00:24:03,850 --> 00:24:06,120 I UNDERSTAND YOU'RE WORKING THAT, UH, COP SHOOTING. 496 00:24:06,150 --> 00:24:07,090 YEAH. 497 00:24:07,120 --> 00:24:08,820 GOOD LUCK WITH THAT. 498 00:24:09,890 --> 00:24:13,120 ADIE, UH, YOU GOT A MOMENT TO TALK? 499 00:24:13,160 --> 00:24:14,890 SURE. 500 00:24:14,930 --> 00:24:17,100 HEY, WE GOT TO CATCH UP WITH EACH OTHER. 501 00:24:17,130 --> 00:24:18,130 TALK LATER. 502 00:24:18,160 --> 00:24:19,530 YOU GOT IT. 503 00:24:19,560 --> 00:24:21,030 WHO WAS THAT? 504 00:24:21,060 --> 00:24:22,930 WHAT DO YOU WANT? 505 00:24:22,970 --> 00:24:24,140 JIMMY ABRUZZO. 506 00:24:24,170 --> 00:24:27,080 WE WENT THROUGH THE HOMICIDE COURSE TOGETHER. 507 00:24:27,100 --> 00:24:29,670 DIDN'T LOOK TOO HAPPY TO SEE HIM. 508 00:24:29,700 --> 00:24:32,170 THEY WERE IN THE 27 TOGETHER. 509 00:24:32,210 --> 00:24:34,180 NOBODY KNEW THEY WERE INVOLVED. 510 00:24:34,210 --> 00:24:36,180 SECTOR CAR ANSWERED A DISTURBANCE CALL. 511 00:24:36,210 --> 00:24:38,670 THEY WERE HAVING A KNOCKDOWN, DRAG‐OUT. 512 00:24:38,710 --> 00:24:40,340 THAT'S WHY SHE GOT TRANSFERRED. 513 00:24:40,380 --> 00:24:41,550 [JIMMY] DON'T BE SUCH A‐‐ 514 00:24:41,580 --> 00:24:42,680 JUST LISTEN TO ME. 515 00:24:42,710 --> 00:24:44,180 GET OUT OF HERE! 516 00:24:44,210 --> 00:24:46,280 YOU THINK THIS IS OVER? IT'S NOT. 517 00:24:46,320 --> 00:24:47,690 YOU STILL LOVE ME. 518 00:24:47,720 --> 00:24:49,160 BE RIGHT BACK. 519 00:24:49,180 --> 00:24:50,620 WAIT A MINUTE, GUYS. 520 00:24:50,650 --> 00:24:52,180 EVERYTHING O. K.? 521 00:24:52,220 --> 00:24:53,680 SHE'S O. K. 522 00:24:53,720 --> 00:24:55,690 YEAH? I ASKED HER. 523 00:24:55,720 --> 00:24:56,920 I'M FINE. 524 00:24:56,960 --> 00:24:59,730 I THINK YOU NEED TO TAKE OFF, JIMMY. 525 00:24:59,760 --> 00:25:01,260 GO HUMP YOURSELF, JOHN. 526 00:25:01,290 --> 00:25:02,760 BUTT OUT, JOHN. 527 00:25:12,100 --> 00:25:15,070 I DON'T NEED ANYBODY PROTECTING ME, ALL RIGHT? 528 00:25:15,100 --> 00:25:16,700 MY PROBLEMS ARE MY PROBLEM. 529 00:25:39,020 --> 00:25:41,150 HEY, ANDY. 530 00:25:41,190 --> 00:25:42,930 LOOKING GOOD. 531 00:25:42,960 --> 00:25:44,760 SOMETHING ABOUT YOU DIFFERENT. 532 00:25:44,790 --> 00:25:46,520 HOW'S IT GOING, HAROLD? 533 00:25:46,560 --> 00:25:49,030 WHERE THE CIGARETTES? ALL THE TIME YOU SMOKING. 534 00:25:49,060 --> 00:25:50,060 I QUIT. 535 00:25:50,090 --> 00:25:51,120 MUST BE IT. 536 00:25:51,160 --> 00:25:53,190 CAREFUL. YOU GET FAT LIKE GOODYEAR BLIMP. 537 00:25:53,230 --> 00:25:56,260 IT'S NICE TO SEE YOU, TOO, PAL. 538 00:25:56,300 --> 00:25:58,540 JOHNNY, YOU READY TO TALK TO THIS GUY? 539 00:25:58,570 --> 00:26:00,040 YEAH. LET'S GO. 540 00:26:00,070 --> 00:26:01,910 DOING ALL RIGHT? 541 00:26:01,930 --> 00:26:03,370 YEAH. 542 00:26:04,440 --> 00:26:05,440 GOOD MORNING. 543 00:26:05,470 --> 00:26:07,030 MORNING. 544 00:26:07,070 --> 00:26:09,840 THIS GUY CARLIN PICKED OUT FROM THE MUG BOOKS‐‐ 545 00:26:09,870 --> 00:26:12,310 I'M GOING TO TALK TO HIS PAROLE OFFICERS. 546 00:26:12,340 --> 00:26:14,610 ASK HIM ABOUT THE GRASSY KNOLL IN DALLAS 547 00:26:14,640 --> 00:26:17,610 OR THE WHEREABOUTS ON THE LINDBERGH BABY. 548 00:26:17,650 --> 00:26:21,120 DETECTIVE, I THOUGHT ABOUT THIS REAL HARD LAST NIGHT. 549 00:26:21,150 --> 00:26:24,360 I CAN'T REMEMBER WHAT I DID TO PISS YOU OFF. 550 00:26:24,380 --> 00:26:27,550 IF YOU'RE RUNNING SOME GUILT TRIP ABOUT THIS LADY DYING, 551 00:26:27,590 --> 00:26:29,260 PLEASE DON'T MAKE IT MY PROBLEM. 552 00:26:29,290 --> 00:26:31,360 DO YOU MOONLIGHT AS A SHRINK? 553 00:26:31,390 --> 00:26:33,890 NO. THIS JOB IS HARD ENOUGH, 554 00:26:33,920 --> 00:26:36,190 AND IT DOES NOT INCLUDE YOU BATTING ME AROUND 555 00:26:36,220 --> 00:26:39,390 LIKE SOME INFLATABLE PUNCHING CLOWN. 556 00:26:39,430 --> 00:26:42,070 SO I'M GOING TO GO QUESTION THIS GUY, 557 00:26:42,100 --> 00:26:44,140 EVEN IF IT'S JUST TO RULE HIM OUT. 558 00:26:44,160 --> 00:26:46,660 MEANWHILE, I WOULD APPRECIATE IT 559 00:26:46,700 --> 00:26:49,230 IF YOU'D TAKE YOUR ATTITUDE 560 00:26:49,270 --> 00:26:51,080 AND SHOVE IT UP YOUR ASS. 561 00:26:55,510 --> 00:26:59,210 O.K., HE'S HAD THE WHOLE NIGHT TO THINK ABOUT IT. 562 00:26:59,240 --> 00:27:00,970 WE'RE PUTTING THIS TOGETHER, 563 00:27:01,010 --> 00:27:03,170 SO WE NEED A STATEMENT 564 00:27:03,210 --> 00:27:04,540 AND HIS DESCRIPTION OF THE EVENTS. 565 00:27:04,580 --> 00:27:05,950 [SPEAKING CHINESE] 566 00:27:08,850 --> 00:27:10,890 [SPEAKING CHINESE] 567 00:27:10,920 --> 00:27:13,320 HE SAID HE DOESN'T KNOW ANYTHING. 568 00:27:13,350 --> 00:27:16,620 WELL, TELL HIM THAT I'M CERTAIN 569 00:27:16,650 --> 00:27:19,020 HE DIDN'T KILL THIS POLICE OFFICER INTENTIONALLY, 570 00:27:19,050 --> 00:27:21,020 BUT I NEED A STATEMENT, 571 00:27:21,060 --> 00:27:23,560 AND I NEED HIS DESCRIPTION OF THE EVENTS. 572 00:27:23,590 --> 00:27:25,290 [SPEAKING CHINESE] 573 00:27:28,990 --> 00:27:30,730 [SPEAKING CHINESE] 574 00:27:30,760 --> 00:27:33,230 HE SAID HE DOESN'T KNOW ANYTHING. 575 00:27:33,260 --> 00:27:34,560 [KNOCK ON DOOR] 576 00:27:41,100 --> 00:27:42,430 WHAT'S UP? 577 00:27:42,470 --> 00:27:46,400 THAT LAWYER, MR. CHENG, WANTS TO TALK TO YOU AGAIN. 578 00:27:52,910 --> 00:27:54,380 WHERE'S UNCLE WOO? 579 00:27:54,410 --> 00:27:57,280 HI, DETECTIVE. MR. WOO HONG LEE, MY CLIENT'S UNCLE, 580 00:27:57,310 --> 00:27:59,280 WAS TOO INFIRM TO BE HERE. 581 00:27:59,320 --> 00:28:02,260 THIS NOTARIZED LETTER AUTHORIZING ME TO REPRESENT HIS NEPHEW 582 00:28:02,280 --> 00:28:03,380 SHOULD SUFFICE. 583 00:28:03,420 --> 00:28:06,080 I ALSO HAVE A LETTER FROM THE UNCLE'S DOCTOR 584 00:28:06,120 --> 00:28:07,790 ATTESTING TO HIS POOR HEALTH. 585 00:28:09,120 --> 00:28:10,250 WAIT HERE. 586 00:28:15,630 --> 00:28:18,170 TELL HIM THERE'S A LAWYER OUTSIDE 587 00:28:18,200 --> 00:28:20,340 WHO'S BEEN HIRED BY HIS UNCLE. 588 00:28:20,360 --> 00:28:23,560 ASK HIM IF HE WANTS HIM TO REPRESENT HIM. 589 00:28:23,600 --> 00:28:26,630 [SPEAKING CHINESE] 590 00:28:29,540 --> 00:28:30,840 NO. 591 00:28:30,870 --> 00:28:35,340 O.K., TELL HIM I WANT HIM TO TELL THE LAWYER THAT. 592 00:28:35,370 --> 00:28:37,270 [SPEAKING CHINESE] 593 00:28:37,310 --> 00:28:38,710 LET'S GO. 594 00:28:43,480 --> 00:28:44,840 ASK HIM. 595 00:28:44,880 --> 00:28:47,080 [SPEAKING CHINESE] 596 00:28:47,120 --> 00:28:49,590 [SPEAKING CHINESE] 597 00:28:52,020 --> 00:28:53,280 WHAT'D HE SAY? 598 00:28:53,320 --> 00:28:57,150 HE SAID THE TONG WANT TO HELP HIM AND HIS FAMILY. 599 00:28:57,190 --> 00:28:58,790 [SPEAKING CHINESE] 600 00:28:58,820 --> 00:29:00,860 HE WANTS THE LAWYER NOW. 601 00:29:00,890 --> 00:29:03,860 I'D LIKE SOME TIME WITH MY CLIENT. 602 00:29:03,890 --> 00:29:06,290 O.K., COUNSELOR, BUT WE GET NO SACRIFICIAL LAMBS. 603 00:29:06,330 --> 00:29:10,200 IF HE CONFESSES TO ME, I BETTER BELIEVE IT. GOT IT? 604 00:29:20,670 --> 00:29:22,200 [KNOCKING ON DOOR] 605 00:29:34,320 --> 00:29:35,790 EXCUSE ME, MA'AM. 606 00:29:35,820 --> 00:29:38,160 DETECTIVE SIPOWICZ. 607 00:29:38,180 --> 00:29:40,920 OH, YEAH, DETECTIVE. I SAW YOU AFTER THE MURDER. 608 00:29:40,950 --> 00:29:43,120 I'M THE ONE WHO FOUND MRS. CARLIN. 609 00:29:43,150 --> 00:29:44,720 RIGHT. YOU LIVE IN THIS APARTMENT? 610 00:29:44,760 --> 00:29:46,230 NO. IRENE POLOTTO LIVES HERE. 611 00:29:46,260 --> 00:29:48,770 I GROCERY SHOP FOR HER. SHE'S A SHUT‐IN. 612 00:29:48,790 --> 00:29:51,220 SHE'S OUT. NOBODY EVER ANSWERS THE DOOR. 613 00:29:51,260 --> 00:29:52,720 SHE CAN'T HEAR YOU KNOCK. 614 00:29:52,760 --> 00:29:53,730 SHE'S DEAF. 615 00:29:53,760 --> 00:29:56,730 THIS IS HOW I LET HER KNOW I'M HERE. 616 00:29:56,760 --> 00:29:58,030 I FLICK THE SWITCH. 617 00:30:01,170 --> 00:30:03,410 IT'S O. K., IRENE. 618 00:30:03,440 --> 00:30:05,910 THIS MAN'S A POLICE OFFICER. 619 00:30:05,940 --> 00:30:08,610 HE WAS WONDERING IF HE COULD ASK YOU ABOUT THERESA. 620 00:30:08,640 --> 00:30:10,170 OH. 621 00:30:10,210 --> 00:30:13,450 SHE READS LIPS, SO SPEAK SLOWLY AND CLEARLY. 622 00:30:13,480 --> 00:30:15,780 I'LL PUT THESE AWAY. 623 00:30:17,710 --> 00:30:21,610 MA'AM, I'M DETECTIVE SIPOWICZ. 624 00:30:21,650 --> 00:30:24,710 I'M HOPING YOU CAN HELP US WITH OUR INVESTIGATION. 625 00:30:24,750 --> 00:30:26,180 I'LL CERTAINLY TRY. 626 00:30:26,220 --> 00:30:28,960 WERE YOU HOME THE MORNING OF THE MURDER? 627 00:30:28,990 --> 00:30:32,200 YEAH, BUT I DIDN'T KNOW ANYTHING WAS WRONG 628 00:30:32,220 --> 00:30:34,190 UNTIL I LOOKED OUT THE WINDOW 629 00:30:34,220 --> 00:30:35,690 AND SAW THE POLICE CARS. 630 00:30:35,720 --> 00:30:39,190 DID YOU SEE THE VICTIM'S HUSBAND THAT MORNING? 631 00:30:39,230 --> 00:30:41,700 I SAW HIM LEAVE FOR WORK. 632 00:30:41,730 --> 00:30:43,700 WHAT TIME WOULD THAT HAVE BEEN? 633 00:30:43,730 --> 00:30:45,190 I'M NOT SURE EXACTLY. 634 00:30:45,230 --> 00:30:48,300 IT MUST'VE BEEN EARLY BECAUSE I WAS FEEDING MY PIGEONS, 635 00:30:48,330 --> 00:30:53,100 AND THEY GET IMPATIENT IF I DON'T FEED THEM BEFORE 9:00, 636 00:30:53,140 --> 00:30:54,380 ESPECIALLY TOMMY. 637 00:30:54,400 --> 00:30:57,700 WAS THERE ANYTHING UNUSUAL 638 00:30:57,740 --> 00:30:59,900 ABOUT MR. CARLIN'S BEHAVIOR? 639 00:30:59,940 --> 00:31:02,610 DID HE SEEM AGITATED? 640 00:31:02,640 --> 00:31:05,040 NO. DO YOU MIND IF I SIT DOWN? 641 00:31:05,080 --> 00:31:06,510 I GOT A BUM KNEE. 642 00:31:06,550 --> 00:31:07,520 PLEASE, SIT. 643 00:31:07,550 --> 00:31:10,020 SO HE WALKED OUT THE DOOR 644 00:31:10,050 --> 00:31:13,020 AND HEADED FOR THE SUBWAY, IS THAT RIGHT? 645 00:31:13,050 --> 00:31:16,220 YEAH. AFTER HE THREW OUT THE GARBAGE. 646 00:31:16,250 --> 00:31:17,420 WHAT GARBAGE? 647 00:31:17,450 --> 00:31:20,050 HE WAS CARRYING A GARBAGE BAG. 648 00:31:20,090 --> 00:31:22,250 DOESN'T THIS BUILDING HAVE A TRASH CHUTE? 649 00:31:22,290 --> 00:31:24,590 HA! SOMETIMES IT BACKS UP. 650 00:31:24,620 --> 00:31:26,590 DID YOU HAPPEN TO SEE 651 00:31:26,630 --> 00:31:29,330 WHERE MR. CARLIN TOOK THAT BAG OF GARBAGE? 652 00:31:29,360 --> 00:31:32,830 YEAH. TO THE BUILDING NEXT DOOR, ACROSS THE ALLEY. 653 00:31:32,860 --> 00:31:33,830 THANK YOU. 654 00:31:33,860 --> 00:31:35,330 YOU'VE BEEN VERY HELPFUL. 655 00:31:35,370 --> 00:31:36,570 YEAH. 656 00:31:41,040 --> 00:31:43,080 [SPEAKING CHINESE] 657 00:31:43,100 --> 00:31:46,240 I WENT TO WORKER'S APARTMENT OWNED BY MR. FONG. 658 00:31:46,270 --> 00:31:49,770 MR. FONG OWNS A RESTAURANT. 659 00:31:51,780 --> 00:31:53,750 ALL HIS ILLEGAL WORKERS LIVE THERE. 660 00:31:54,810 --> 00:31:56,280 I LIVE THERE, TOO. 661 00:31:58,280 --> 00:32:01,280 UNTIL MR. FONG FIRED ME FOR NO REASON. 662 00:32:02,680 --> 00:32:06,580 I KNEW SOMEONE WHO LIVED THERE WHO HAS A GUN. 663 00:32:06,620 --> 00:32:10,390 I WANTED TO SELL IT FOR A LOT OF MONEY. 664 00:32:10,420 --> 00:32:13,420 I WENT OUT THE DOOR. 665 00:32:14,660 --> 00:32:16,720 SAW THE POLICEMAN. 666 00:32:16,760 --> 00:32:18,430 I GOT SCARED. 667 00:32:20,700 --> 00:32:22,870 I NEVER TOUCHED A GUN BEFORE. 668 00:32:24,200 --> 00:32:27,160 NEVER THOUGHT‐‐ NOW I KILL A MAN. 669 00:32:27,200 --> 00:32:28,970 [SPEAKING CHINESE] 670 00:32:32,070 --> 00:32:34,740 I OWE 30,000 U.S. DOLLARS 671 00:32:34,770 --> 00:32:36,800 BEING SMUGGLED IN THE U. S. 672 00:32:38,010 --> 00:32:40,270 THE TRIP TOOK TWO MONTHS, 673 00:32:40,310 --> 00:32:43,840 LOCKED IN THE HOLD OF A CARGO SHIP, 674 00:32:43,880 --> 00:32:46,610 SQUEEZED IN WITH 300 MEN. 675 00:32:46,650 --> 00:32:48,780 NO TOILET. 676 00:32:48,820 --> 00:32:51,620 NO WATER TO WASH HAND OR BATHE. 677 00:32:51,650 --> 00:32:53,780 EVERYONE WAS SICK. 678 00:32:53,820 --> 00:32:55,920 WHO DO YOU OWE THE 30,000 TO? 679 00:32:55,950 --> 00:32:59,750 EXCUSE ME. WHAT CASE ARE WE WORKING ON HERE, DETECTIVE? 680 00:33:04,660 --> 00:33:07,730 ASK HIM HOW HE LOST THE JACKET. 681 00:33:09,160 --> 00:33:10,700 [SPEAKING CHINESE] 682 00:33:15,100 --> 00:33:17,070 SOMEONE TRIED TO STOP ME. 683 00:33:17,100 --> 00:33:19,070 GRABBED ME BY MY JACKET. 684 00:33:19,100 --> 00:33:22,970 I DIDN'T WANT TO SHOOT HIM, TOO. 685 00:33:24,310 --> 00:33:26,320 I SLIPPED OUT OF MY JACKET 686 00:33:26,340 --> 00:33:28,610 AND RAN TOWARDS CANAL STREET. 687 00:33:32,010 --> 00:33:34,240 I CAME TO AMERICA TO EARN MONEY 688 00:33:34,280 --> 00:33:35,750 TO SEND MONEY HOME. 689 00:33:36,850 --> 00:33:41,150 AFTER I ARRIVE, I COULD NOT FIND WORK. 690 00:33:41,190 --> 00:33:43,160 NO MONEY TO SEND HOME. 691 00:33:46,220 --> 00:33:49,320 I LIVED ANY WAY I CAN, IN FILTH, 692 00:33:49,360 --> 00:33:50,830 ALWAYS DIRTY. 693 00:33:50,860 --> 00:33:54,660 IN CHINA, IT'S NEVER LIKE THIS. WORSE THAN ANIMAL. 694 00:33:58,830 --> 00:34:00,560 I'M SORRY. 695 00:34:02,130 --> 00:34:04,170 I'M VERY SORRY. 696 00:34:08,370 --> 00:34:11,540 I NEVER WANTED TO HURT ANYONE. 697 00:34:13,440 --> 00:34:14,540 O.K. 698 00:34:17,710 --> 00:34:19,180 [CLICK] 699 00:34:27,780 --> 00:34:29,050 I BUY IT. 700 00:34:29,090 --> 00:34:30,030 YEAH. 701 00:34:31,590 --> 00:34:33,400 I'LL BRING THE GUY DOWN AND BOOK HIM, 702 00:34:33,420 --> 00:34:34,890 THEN FINISH THE PAPERWORK. 703 00:34:34,920 --> 00:34:36,150 GOOD JOB, HAROLD. 704 00:34:36,190 --> 00:34:37,190 O.K., LOO. 705 00:34:37,230 --> 00:34:39,670 THE JACKET SOLD YOU, HUH, JOHNNY? 706 00:34:39,690 --> 00:34:41,560 HOW THE GUY GRABBED THE JACKET? 707 00:34:41,590 --> 00:34:45,230 THAT'S RIGHT. YOU BROUGHT THIS ONE HOME, HAROLD. 708 00:34:45,260 --> 00:34:47,030 HEY, JOHNNY. 709 00:34:47,060 --> 00:34:51,300 DEAD COP‐‐IF THIS WAS THE GUINEAS LOOKING TO KEEP THE PRESSURE OFF, 710 00:34:51,330 --> 00:34:53,170 THEN GIVE UP THE GUY WHO REALLY DID IT, 711 00:34:53,200 --> 00:34:54,630 IS THAT A PROBLEM? 712 00:34:54,670 --> 00:34:56,770 NOT IF HE WERE GUILTY. 713 00:34:56,800 --> 00:35:00,340 MAYBE YOU WOULD'VE SEEN IT A LITTLE EASIER. 714 00:35:01,740 --> 00:35:03,470 I NEEDED THE HELP. 715 00:35:05,210 --> 00:35:08,780 ANYWAY, MAYBE THIS WILL KEEP HAVERILL OFF YOUR BACK. 716 00:35:08,810 --> 00:35:10,380 MAYBE. 717 00:35:10,410 --> 00:35:11,950 THANKS. 718 00:35:11,980 --> 00:35:12,910 YEAH. 719 00:35:23,720 --> 00:35:25,160 WHERE'S THE OTHER DETECTIVE? 720 00:35:25,190 --> 00:35:28,060 SHE SAID THERE WAS MORE MUG SHOTS FOR ME TO LOOK AT. 721 00:35:28,090 --> 00:35:32,660 I DON'T THINK THAT'D BE THE BEST USE OF YOUR TIME. 722 00:35:32,700 --> 00:35:34,200 SIT DOWN. 723 00:35:34,230 --> 00:35:39,000 I WANT TO BRING YOU UP TO DATE ON A COUPLE THINGS. 724 00:35:39,030 --> 00:35:42,670 YOUR AFRICAN PERPETRATOR THEORY‐‐ THAT DIDN'T PAN OUT. 725 00:35:42,700 --> 00:35:46,670 I I. D.'d THE TWO GUYS I SEEN HANGING AROUND THE BUILDING. 726 00:35:46,710 --> 00:35:48,180 ONE'S IN THE JOINT, 727 00:35:48,210 --> 00:35:51,180 AND THE OTHER WAS AT HIS JOB ALL DAY. 728 00:35:51,210 --> 00:35:52,970 HIS PAROLE OFFICER VERIFIED IT. 729 00:35:53,010 --> 00:35:54,980 I KNOW WHAT I SAW. 730 00:35:55,010 --> 00:35:56,480 WE'RE KIND OF QUESTIONING 731 00:35:56,510 --> 00:35:59,180 THAT WHOLE BREAK‐IN THEORY NOW. 732 00:35:59,210 --> 00:36:02,180 THE PLACE WAS TORN UP. IT WAS RANSACKED. 733 00:36:02,220 --> 00:36:05,190 I'LL TELL YOU, THAT WINDOW WAS BROKEN OUT. 734 00:36:05,220 --> 00:36:08,190 THERE WAS BUSTED GLASS ALL ON THE SIDEWALK. 735 00:36:08,220 --> 00:36:12,220 THAT MEANT SOMEBODY HAD TO BREAK IT FROM THE INSIDE. 736 00:36:12,260 --> 00:36:15,570 PLUS, WHAT DO YOU MAKE OF THIS? 737 00:36:16,860 --> 00:36:20,790 THEY'RE SIZE 12. YOU LOOK LIKE YOU'RE ABOUT A 12. 738 00:36:20,830 --> 00:36:23,800 DOES THAT LOOK LIKE DRIED BLOOD TO YOU? 739 00:36:23,830 --> 00:36:26,300 LOOKS LIKE DRIED BLOOD TO ME. 740 00:36:26,330 --> 00:36:29,300 THERE'S SOME BLOODY OVERALLS IN HERE, TOO. 741 00:36:29,340 --> 00:36:32,210 MADE A REAL MESS OF THINGS, DIDN'T YOU? 742 00:36:32,240 --> 00:36:34,210 SO THERE'S BLOOD ON THEM. 743 00:36:34,240 --> 00:36:38,670 I WORK IN A MEAT‐PACKING PLANT. THERE'S BLOOD ALL OVER. 744 00:36:38,710 --> 00:36:41,170 THE DNA TESTS WILL PROVE THAT'S YOUR WIFE'S BLOOD. 745 00:36:41,210 --> 00:36:42,710 IF THAT'S MY WIFE'S BLOOD, 746 00:36:42,740 --> 00:36:45,180 THEN WHOEVER DID THIS TOOK MY CLOTHES 747 00:36:45,210 --> 00:36:47,350 AND PUT THEM IN HER BLOOD AFTERWARD. 748 00:36:47,380 --> 00:36:51,350 THEN THEY THREW THEM IN THE NEXT BUILDING'S TRASH CHUTE, 749 00:36:51,380 --> 00:36:52,950 WHERE YOUR NEIGHBOR SAW YOU DROP A BAG. 750 00:36:52,990 --> 00:36:55,230 I DROPPED A BAG OF GARBAGE. 751 00:36:55,250 --> 00:36:58,220 SOMETIMES OUR CHUTE GETS BACKED UP. 752 00:36:58,260 --> 00:37:01,230 YOU KILLED HER, YOU SCUMBAG SON OF A BITCH. 753 00:37:01,260 --> 00:37:03,170 YOU BEAT HER TO DEATH! 754 00:37:03,190 --> 00:37:06,060 I GOT TO GIVE YOU ONE LAST CHANCE TO CONFESS 755 00:37:06,090 --> 00:37:07,630 AND MAKE IT EASIER ON YOURSELF! 756 00:37:07,660 --> 00:37:09,930 I'M HOPING YOU'RE TOO STUPID TO DO THAT! 757 00:37:09,960 --> 00:37:14,030 'CAUSE THE HARDER IT IS FOR YOU, THE HAPPIER I AM! 758 00:37:17,500 --> 00:37:20,970 SO ARE YOU GONNA TELL ME THE TRUTH NOW, 759 00:37:21,000 --> 00:37:23,970 OR ARE YOU GONNA MAKE ME HAPPY? 760 00:37:24,010 --> 00:37:25,150 TICKTOCK, VICTOR. 761 00:37:25,170 --> 00:37:26,440 WHAT'S IT GONNA BE? 762 00:37:29,440 --> 00:37:31,340 I'M MISSING HAPPY HOUR. 763 00:37:31,380 --> 00:37:33,040 YOU PRICK. YOU PRICK! 764 00:37:33,080 --> 00:37:34,140 LET GO OF ME! 765 00:37:34,180 --> 00:37:36,110 YOU PRICK! YOU KILLED HER! 766 00:37:36,150 --> 00:37:37,650 GET OFF OF ME! 767 00:37:37,680 --> 00:37:39,110 SHUT UP! 768 00:38:08,200 --> 00:38:09,670 YOU WERE WATCHING? 769 00:38:09,710 --> 00:38:11,550 IS THAT O. K.? 770 00:38:15,080 --> 00:38:16,550 NURSEMAID THIS GUY. 771 00:38:16,580 --> 00:38:18,890 I GOT TO CLEAR MY HEAD. 772 00:38:33,420 --> 00:38:35,390 I'LL TELL YOU, MR. CARLIN, 773 00:38:35,420 --> 00:38:38,390 I WOULDN'T WANT TO BE YOU RIGHT NOW. 774 00:38:38,430 --> 00:38:40,970 HEY, THAT WACKO JUST HIT ME. 775 00:38:40,990 --> 00:38:43,930 HE TOUCHES ME AGAIN, AND HE GOES TO JAIL. 776 00:38:43,960 --> 00:38:46,290 I DON'T THINK THAT'S GONNA HAPPEN. 777 00:38:46,330 --> 00:38:50,300 I'VE WORKED WITH THAT DETECTIVE FOR A LOT OF YEARS. 778 00:38:50,330 --> 00:38:53,430 THESE SITUATIONS ALWAYS GO DOWN THE SAME WAY. 779 00:38:53,470 --> 00:38:56,730 YOU'LL WIND UP IN THE EMERGENCY ROOM, PISSING BLOOD, 780 00:38:56,770 --> 00:38:58,740 AND I'M LOOKING AT 12 HOURS OF PAPERWORK 781 00:38:58,770 --> 00:39:00,800 EXPLAINING HOW YOU RESISTED ARREST. 782 00:39:00,840 --> 00:39:03,870 YOU CAN'T LET HIM DO THAT. 783 00:39:03,910 --> 00:39:06,040 I CAN'T CONTROL HIM. 784 00:39:06,080 --> 00:39:10,550 MY ADVICE TO YOU IS GIVE THE GUY WHAT HE WANTS, 785 00:39:10,580 --> 00:39:13,050 OR IT'S GOING TO BE A LONG NIGHT FOR THE BOTH OF US. 786 00:39:15,520 --> 00:39:17,490 WE GOT OURSELVES A COP. 787 00:39:17,520 --> 00:39:21,480 YEAH. CAN YOU MAKE A CASE OFF THE BLOODY CLOTHES? 788 00:39:21,520 --> 00:39:24,490 CAN'T PUT THE GUY IN THE CLOTHES. 789 00:39:24,520 --> 00:39:27,990 I‐‐I DIDN'T RECOVER THE BAG FOR 36 HOURS. 790 00:39:28,030 --> 00:39:30,000 [LESNIAK] HE DOESN'T LIKE YOU. 791 00:39:30,030 --> 00:39:34,140 WHATEVER HE IS, HE'S GONNA BE COMING BACK ANY MINUTE. 792 00:39:34,160 --> 00:39:35,830 [CARLIN] HE CAN'T DO THAT TO ME. 793 00:39:39,630 --> 00:39:42,570 EXCUSE US, DETECTIVE LESNIAK. 794 00:39:42,600 --> 00:39:44,070 ALL RIGHT. 795 00:39:48,570 --> 00:39:51,170 BEEP BEEP, CARLIN. 796 00:39:51,210 --> 00:39:52,240 BEEP BEEP? 797 00:39:52,280 --> 00:39:54,250 I KNOW ABOUT YOU, SIPOWICZ. 798 00:39:54,280 --> 00:39:55,750 YOU'RE A PSYCHO. 799 00:39:55,780 --> 00:39:57,410 WE'RE GOING TO START OVER, 800 00:39:57,450 --> 00:39:59,520 ONLY I BROUGHT MY LIE DETECTOR WITH ME. 801 00:39:59,550 --> 00:40:01,750 EVERY TIME MY LIE DETECTOR GOES BEEP BEEP, 802 00:40:01,780 --> 00:40:03,750 YOU'RE GOING TO GET SMACKED. 803 00:40:03,780 --> 00:40:05,520 I WANT TO BE INTERVIEWED BY SOMEBODY ELSE. 804 00:40:05,550 --> 00:40:08,250 FIRST QUESTION‐‐ THE MORNING YOUR WIFE WAS KILLED, 805 00:40:08,290 --> 00:40:10,130 WHAT TIME DID YOU LEAVE THE HOUSE? 806 00:40:10,160 --> 00:40:11,130 LEAVE ME ALONE. 807 00:40:11,160 --> 00:40:12,800 WHAT TIME DID YOU LEAVE? 808 00:40:12,820 --> 00:40:14,360 8:00! 809 00:40:14,390 --> 00:40:15,520 VERY GOOD. 810 00:40:15,560 --> 00:40:17,520 WHAT DID YOU DO WHEN YOU WENT OUTSIDE? 811 00:40:17,560 --> 00:40:18,520 I WENT TO WORK. 812 00:40:18,560 --> 00:40:20,030 BEEP BEEP. 813 00:40:20,060 --> 00:40:23,030 NO‐‐NO‐‐I TOOK THE GARBAGE OUT, 814 00:40:23,060 --> 00:40:26,030 AND I TOOK IT TO THE BUILDING NEXT DOOR. 815 00:40:26,070 --> 00:40:27,440 THEN I WENT TO WORK. 816 00:40:27,470 --> 00:40:28,480 VERY GOOD. 817 00:40:28,500 --> 00:40:31,430 WHAT WAS IN THE GARBAGE YOU PUT OUT? 818 00:40:31,470 --> 00:40:32,570 UH, JUST GARBAGE. 819 00:40:33,840 --> 00:40:35,150 BEEP BEEP. 820 00:40:35,170 --> 00:40:36,200 JUST GARBAGE. 821 00:40:36,240 --> 00:40:37,200 BEEP BEEP! 822 00:40:37,240 --> 00:40:38,200 OH, NO. 823 00:40:38,240 --> 00:40:40,210 OH, ALL RIGHT. 824 00:40:40,240 --> 00:40:42,240 IT WAS CLOTHES. 825 00:40:42,280 --> 00:40:45,720 AND THEN YOU THREW THEM IN THE TRASH NEXT DOOR? 826 00:40:45,750 --> 00:40:47,650 THAT'S RIGHT. 827 00:40:47,680 --> 00:40:50,480 I DID NOT INTEND FOR HER TO DIE. 828 00:40:50,520 --> 00:40:55,660 WHAT YOU DON'T KNOW IS THAT I WAS PROVOKED ON A DAILY BASIS, 829 00:40:55,690 --> 00:40:58,400 AND THE OUTCOME OF WHAT HAPPENED 830 00:40:58,420 --> 00:41:00,820 WAS‐‐WAS THE RESULT OF THAT. 831 00:41:04,360 --> 00:41:06,360 YOU START WRITING. 832 00:41:07,960 --> 00:41:09,660 BEEP BEEP. 833 00:41:21,710 --> 00:41:24,710 MEDAVOY, COME SEE ME. 834 00:41:24,740 --> 00:41:26,810 I'LL BE RIGHT THERE, SIR. 835 00:41:41,220 --> 00:41:44,180 LET'S SAY TWO PEOPLE IN THE STATION HOUSE 836 00:41:44,220 --> 00:41:46,090 WERE HAVING A ROMANTIC RELATIONSHIP, 837 00:41:46,120 --> 00:41:49,920 AND LET'S SAY I WERE TO FIND OUT ABOUT IT. 838 00:41:49,960 --> 00:41:52,600 I'D HAVE TO GET ONE OF THEM TRANSFERRED. 839 00:41:52,630 --> 00:41:54,100 ARE YOU AWARE OF THAT? 840 00:41:54,130 --> 00:41:55,940 YES, I AM, SIR. 841 00:41:55,960 --> 00:41:58,430 SO IF ANYONE WAS TO ENGAGE 842 00:41:58,460 --> 00:42:00,360 IN THAT KIND OF A RELATIONSHIP, 843 00:42:00,400 --> 00:42:03,910 AND IF THEY DIDN'T WANT TO GET TRANSFERRED, 844 00:42:03,930 --> 00:42:06,930 I THINK THEY'D BE VERY CAREFUL ABOUT HOW THEY ACTED, 845 00:42:06,970 --> 00:42:08,100 WOULDN'T YOU? 846 00:42:08,140 --> 00:42:09,710 UH, YES, I WOULD. 847 00:42:11,470 --> 00:42:13,940 I'M...SORRY. 848 00:42:13,970 --> 00:42:15,940 AS FAR AS I KNOW, 849 00:42:15,980 --> 00:42:18,780 YOU HAVEN'T DONE ANYTHING TO BE SORRY FOR. 850 00:42:22,110 --> 00:42:25,350 AND I WANT YOU TO KEEP IT THAT WAY. 851 00:42:25,380 --> 00:42:26,950 UH, RIGHT. 852 00:42:26,980 --> 00:42:29,150 THANK YOU, SIR. 853 00:42:29,180 --> 00:42:31,050 GOOD NIGHT. 854 00:42:32,250 --> 00:42:33,380 GOOD NIGHT. 855 00:42:52,570 --> 00:42:55,800 HEY, JOHNNY, YOU WANT TO TYPE THIS? 856 00:42:55,840 --> 00:42:57,140 YOUR JOB, HAROLD. 857 00:43:05,210 --> 00:43:07,140 CARLIN TAPE HIS STATEMENT? 858 00:43:07,180 --> 00:43:10,340 FOR A DRUNK, HE'S GOT A GOOD MEMORY. 859 00:43:11,680 --> 00:43:14,980 NOW THERE'S A GUY WHO WANTS MY ASS SO BAD, 860 00:43:15,020 --> 00:43:16,860 HE CAN TASTE IT. 861 00:43:16,880 --> 00:43:19,650 HE CAN TASTE MY ASS, TOO, WHILE HE'S AT IT. 862 00:43:19,690 --> 00:43:20,690 GOOD NIGHT. 863 00:43:20,720 --> 00:43:21,990 GOOD NIGHT. 864 00:43:22,020 --> 00:43:25,090 YOU KNOW, YOU WANT TO GET SOME DINNER? 865 00:43:25,120 --> 00:43:28,790 UH, I WAS KIND OF HOPING SYLVIA MIGHT STOP BY LATER. 866 00:43:28,830 --> 00:43:29,800 O.K. 867 00:43:29,830 --> 00:43:31,300 HOW DID LESNIAK DO? 868 00:43:31,330 --> 00:43:32,740 SHE DID GOOD. 869 00:43:32,760 --> 00:43:33,730 NIGHT. 870 00:43:33,760 --> 00:43:34,730 GOOD NIGHT. 871 00:43:34,760 --> 00:43:36,200 HERE'S MY FIVES. 872 00:43:36,230 --> 00:43:37,230 NIGHT. 873 00:43:37,270 --> 00:43:38,240 GOOD NIGHT. 874 00:43:38,270 --> 00:43:40,740 UH, NICE JOB WITH THAT INTERVIEW. 875 00:43:42,240 --> 00:43:43,740 NICE TALKING TO YOU. 876 00:43:47,940 --> 00:43:50,910 SO DOES KELLY'S PAPERWORK LOOK O. K.? 877 00:43:52,210 --> 00:43:53,240 YEAH. 878 00:43:53,280 --> 00:43:58,250 LET'S ANNOUNCE WE GOT OUR COP SHOOTER. 879 00:43:58,280 --> 00:43:59,740 HASTA LA VISTA, ANDY. 880 00:43:59,780 --> 00:44:01,750 YEAH, TAKE IT EASY, HAROLD. 881 00:44:01,780 --> 00:44:02,750 YEAH. 882 00:44:02,780 --> 00:44:03,950 SEE YOU, LOO. 883 00:44:03,980 --> 00:44:05,450 HEY, GOOD JOB, HAROLD. 884 00:44:05,480 --> 00:44:07,950 JOHN KELLY DID SOME GOOD JOB. 885 00:44:07,990 --> 00:44:09,960 HE'S SOME DAMN GOOD COP. 886 00:44:09,990 --> 00:44:11,300 NIGHT. 887 00:44:11,320 --> 00:44:14,520 WHY DON'T YOU PEOPLE JUST PUT ON CHEERLEADING OUTFITS? 888 00:44:14,560 --> 00:44:19,030 TOUGH TO FIRE SOMEONE WHO JUST BROUGHT DOWN A COP KILLER. 889 00:44:20,390 --> 00:44:21,530 NIGHT, ANDY. 890 00:44:21,560 --> 00:44:23,160 YEAH. GOOD NIGHT. 891 00:44:24,860 --> 00:44:26,530 CARLIN CONFESSED. 892 00:44:26,570 --> 00:44:28,310 YEAH. 893 00:44:28,330 --> 00:44:30,500 AHH, THAT POOR WOMAN. 894 00:44:30,540 --> 00:44:33,440 YEAH. 895 00:44:33,470 --> 00:44:36,540 SO, UH, DID YOU FIGURE OUT 896 00:44:36,570 --> 00:44:39,040 THAT NEW PLACE FOR US TO EAT? 897 00:44:39,070 --> 00:44:42,510 WHY DON'T WE GO TO MY PLACE, AND I'LL COOK? 898 00:44:42,540 --> 00:44:45,510 NAH. I DON'T WANT TO PUT YOU OUT. 899 00:44:45,550 --> 00:44:48,020 BUT YOU WANT TO MARRY ME. 900 00:44:48,050 --> 00:44:49,250 YEAH. 901 00:44:49,280 --> 00:44:52,110 DO YOU SEE ANYTHING STRANGE ABOUT THAT? 902 00:44:53,250 --> 00:44:54,580 NO. 903 00:44:54,620 --> 00:44:58,050 I MEAN, EVENTUALLY, WE'D START EATING AT HOME. 904 00:44:58,090 --> 00:45:00,460 WHAT'S YOUR POINT? 905 00:45:00,490 --> 00:45:04,060 ANDY, WHEN YOU PROPOSED, 906 00:45:04,090 --> 00:45:07,660 I GOT THE FEELING THAT YOU THOUGHT IF WE WERE MARRIED, 907 00:45:07,690 --> 00:45:09,060 IT WOULD FIX SOMETHING. 908 00:45:09,100 --> 00:45:10,900 I DON'T WANT TO GET MARRIED 909 00:45:10,930 --> 00:45:12,560 TO FIX SOMETHING. 910 00:45:12,600 --> 00:45:14,100 IN OTHER WORDS, YOU'RE SAYING NO. 911 00:45:14,130 --> 00:45:15,560 I'M NOT SAYING NO, 912 00:45:15,600 --> 00:45:18,430 BUT I DO THINK WE NEED TO GET COMFORTABLE 913 00:45:18,470 --> 00:45:19,570 WITH EACH OTHER. 914 00:45:19,600 --> 00:45:21,930 COMFORTABLE. 915 00:45:21,970 --> 00:45:24,360 I INTEND TO GET MARRIED, 916 00:45:25,500 --> 00:45:29,180 AND I DON'T WANT ANYONE ELSE IN MY LIFE RIGHT NOW BUT YOU. 917 00:45:30,470 --> 00:45:34,170 I WANT US TO GET THERE. WE'RE NOT THERE YET. 918 00:45:34,210 --> 00:45:35,140 YEAH. O. K. 919 00:45:36,210 --> 00:45:37,140 LOOK... 920 00:45:39,840 --> 00:45:42,310 I'M HUNGRY. 921 00:45:42,340 --> 00:45:45,370 SO JUST COME OVER FOR DINNER, O. K.? 922 00:45:45,410 --> 00:45:48,010 HAVE YOU ALREADY GOT FOOD THERE? 923 00:45:48,040 --> 00:45:50,310 NO, I'LL HAVE TO SHOP, 924 00:45:50,340 --> 00:45:53,340 BUT I GO SHOPPING ALL THE TIME. 925 00:45:53,380 --> 00:45:57,450 I MEANT TO SAY MAYBE WE COULD GO SHOPPING TOGETHER. 926 00:46:01,310 --> 00:46:02,870 SURE.